Sabtu, 29 Mei 2010

[F315.Ebook] Download The Official Secret Handbook for Illegal Immigrants - 2012 Edition: Guide Book Successfully Used

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This book is supposedly the guidebook used by tens of millions of people to cross illegally into the U.S. and prosper here through lax federal security, spineless local and state governments and active encouragement of millions of "liberal thinking Americans," the "smart and educated ones," who don't realize they are helping the doom of their own civilization. It is published by the honorable Dr. Juan Muhammed Kim, also executive director the American Secret Society of Illegals. The book advises immigrants of various ways to achieve easy riches and stay here, such as how to file for political asylum, best ports of entry, what to do if you're an illegal terrorist, especially using the American tort legal system to file multiple discrimination suits, new national monuments Illegals are demanding -Four dead white guys only on Mt. Rushmore - See Illustration of substituting one of those head; new holidays illegals want; Feminism and how to combat it; American women can lead to greed card but book warns of their danger, and curious American habits all illegals should know about. The book is filled with 100 illustrations, ads such as "Documents Are US," and the "Saudi Arabia Feminist Fund," which encourages U.S. women to "take up the veil!" The book does not blame illegals for coming to America nor does it attack them on ethnic or racial lines, not being in any way inferior to Americans. Instead, the targets are the politicians who defrauded the American people. The author gives continual thanks to U.S. politicians, especially Sen. Ted Kennedy, who pushed through immigration "reform" in 1965 while promising it would not change the makeup of America's ethnic status. “First, our cities will not be flooded with a million immigrants annually. Under the proposed bill, the present level of [total] immigration remains substantially the same . . . Secondly, the ethnic mix of this country will not be upset . . . Contrary to the charges in some quarters, [the bill] will not inundate America with immigrants from any one country or area, or the most populated and deprived nations of Africa and Asia . . . ” Kennedy avowed. “In the final analysis, the ethnic pattern of immigration under the proposed measure is not expected to change as sharply as the critics seem to think . . . The bill will not flood our cities with immigrants. It will not upset the ethnic mix of our society. It will not relax the standards of admission. It will not cause American workers to lose their jobs,” Kennedy deceitfully went on. The American Secret Society of Illegals, creators of this book, also informs members of long term goals, such as creating Ramadan Police to enforce fasting during Muslim holy month on all residents of USA, and Peso Police, to enforce new law making Mexican currency legal tender in U.S. as well. This is a political satire. It does NOT make fun of foreigners, but satirizes Americans for losing control over their own borders and being too polite to ask undocumented people to go home and get in line if they want to come here. The new America may work out great, but the changes were put through only by using fraud on the Natural Born Americans of all races. If enough people get this book and get stirred up, maybe we can convince Congress and the President to change course and absorb all of the immigrants we now have, before letting in new millions.

  • Sales Rank: #5740241 in Books
  • Published on: 2012-01-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.00" l, .93 pounds
  • Binding: Paperback
  • 316 pages

About the Author
Mr. Juan Muhammed Kim entered the United States on June 25, 1987 on a tourist visa from his native country, the name of which he prefers to keep to himself, as he hasn’t yet brought all his relatives over. He filed his first lawsuit on June 26, 1987, charging that it was highly discriminatory to force foreign visitors to the United States to wait in a separate line from American citizens at the Immigration counter. He was awarded $5,250 in an out-ofcourt settlement. With these funds, combined with his first welfare check, Mr. Muhammed Kim put a down payment on a house in comfortable Westchester county just outside New York City. He joined the American Secret Society of Illegals in 1988. On April 1, 1989, long after his tourist visa expired, he was stopped for the minor problem of leaving a store with $698 in unpaid merchandise, heading out to his car to get a credit card. Mr. Muhammed Kim could not produce proof of citizenship or residency and was detained by Westchester County police.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Funny, funny read
By Jenny Mihoto
The Federalist Papers (Signet Classics)

This is a hysterically funny book, with wicked satire that will make people feel uncomfortable. It really turns its satire on Americans being too complacent. As a Japanese-American, I found it very politically incorrect but not against any race or creed, except terrorists.

As a second-generation American, and again, Asian, the book made me think, too. The book's main point isn't anything against immigrants, legal or illegal. It's just that very liberal politicians made calculated decisions to change America's population mix in order to build up their power base.

They undertook a two-pronged approach - using the 1965 immigration reform act to bring in tens of millions of immigrants from outside Judeo-Christian areas, and augmenting them with tens of millions of illegals more.

The second part came from the 1960s generation who took over the country's educational system. They halted all teaching of what the American constitution was set up to do - create a unified country but PROTECT CITIZENS FROM AN ALL POWERFUL CENTRAL GOVERNMENT IN WHICH MAJORITY MOB RULE takes over.

Teachers in grammar, high school and college never taught me about any of this, more about the evil of "dead white males" who once ran America.

The book doesn't mention Obama but the satire sure leads to the point we've come to, where Obama really does have a popular majority for his plan to make 40% of tax payers pay for 100% of taxes. Why wouldn't people who won't have to pay taxes to get great health and retirement benefit support the guy, who in the most brilliant politician I've ever seen, and soooo attractive and charming, I admit.

I think high school and college kids should read this book, and then study the history of those 'dead white males" who set up this country. So, this book is funny, but it makes you think serioiusly.

3 of 3 people found the following review helpful.
Wonderful, but Scary Satire
By flamereader
This is one, very funny book. Unfortunately, I'm afraid undocumented aliens who read English will read it and get real lessons out of it, so right on does it get our weaknesses down. "How to File Your First Lawsuit." is one part that is very real. "Ins and outs of terrorism in your new land" is hilarious, but the 9/11 terrorists really did take advantage of our lax laws and laid back attitudes to kill 3,000 of us.

This book truly mocks we Americans for just waiting passively until the illegal invasion overwhelms us. We're too polite. No other country would permit its foreign-born population, many illegal, to grow to 20-40 percent of the population.

The book that gives a blog spot that I thought was a joke, but it's a real blog, more supposed advice to illegal immigrants. [...]

It's also very funny, and again, scary as it points out how helpless we are. No one ever asked us if we wanted to open our borders to tens of millions of people from the developing world. I travel a lot and people are the same the world over. We're sure not better than any other people, but we're the only suckers who are being overwhelmed.

I like to make videos. I'd like to make one of having a booth at some sidewalk fair and having a person shout out the name of the book with a pile of books on the table, and record how people react it. Especially from the books:' This book cannot be sold to Americans." Look to youtube to see if I follow through.

I can't write humor, so I can't give a flavor of the book without quoting from it. It contains dozens of faux ads that are also so right-on. "Statue of Liberty law firm," "Documents R Us," "Ramadan Police" - making sure regular Americans don't eat during Ramadan, "Peso police" and the "Saudi Arabian Feminist Fund," set up to convince American women to "take up the veil!"

I'm gong to give a few as Christmas gifts to some friends and family members who are worried about illegal immigration to give them a laugh, and it's a cheap enough present, but they'll never forge it; and I'll probably give it to a few of my 'open border' type friends, hoping it will open their eyes.

2 of 2 people found the following review helpful.
A funny guide to the harsh truth - We Americans lost our borders
By 2ndGen American
This is an hilarious look at all of the follies o too-polite Americans that have led to the totally open borders that have forever changed the country we grew up in.

I love foreign cultures and overseas living, but you'd never catch me going to Mexico and demand that we get a special field to play U.S. football.

The concept of this book is brilliant - illegals supposedly sharing information about how to become a success in America - how to file your first lawsuit, hilarious ads like 'Documents R Us,' and the Alamo with a banner: "Site of the Great Mexican Victory."

There's a blog site that you should all read for the latest outrages: "[...]"

We can't all be Minutemen and patrol the frontier to call the Border Patrol in when we spot folks entering the country illegally.

I made my own personal decision to act by joining that blog and buying 10 copies of this book to give as Christmas presents, I'll include a note pleading with family and friends to each buy 10 more and pass them on.

I checked out the part of the book that it was Ted Kennedy who led the change in our immigration laws to let in people from all over the world and Google did bring in his promise that "THE LAW WILL NOT CHANGE THE RACIAL MAKE UP OF THE UNITED STATES."

Would the Saudis let 10 million Americans enter legally and illegally.

Use this book ato help build our own movement.

But the main thing the book is hilarious, even as it sticks toothpicks under your fingernails for your complicity in losing the country. Buy and spread this book!O.J.'s Dog Daze: The Only Eyewitness Account to the Simpson Murders, and the Simpson Lives

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Kamis, 27 Mei 2010

[K409.Ebook] Download PDF The Philosophy of Universal Grammar (Oxford Linguistics), by Wolfram Hinzen, Michelle Sheehan

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The Philosophy of Universal Grammar (Oxford Linguistics), by Wolfram Hinzen, Michelle Sheehan

What is grammar? Why does it exist? What difference, if any, does it make to the organization of meaning? This book seeks to give principled answers to these questions. Its topic is 'universal' grammar, in the sense that grammar is universal to human populations. But while modern generative grammar stands in the tradition of 'Cartesian linguistics' as emerging in the 17th century, this book re-addresses the question of the grammatical in a broader historical frame,
taking inspiration from Modistic and Ancient Indian philosopher-linguists to formulate a different and 'Un-Cartesian' programme in linguistic theory. Its core claim is that the organization of the grammar is not distinct from the organization of human thought. This sapiens-specific mode of thought is
uniquely propositional: grammar, therefore, organizes propositional forms of reference and makes knowledge possible. Such a claim has explanatory power as well: the grammaticalization of the hominin brain is critical to the emergence of our mind and our speciation.

A thoroughly interdisciplinary endeavour, the book seeks to systematically integrate the philosophy of language and linguistic theory. It casts a fresh look at core issues that any philosophy of (universal) grammar will need to address, such as the distinction between lexical and grammatical meaning, the significance of part of speech distinctions, the grammar of reference and deixis, the relation between language and reality, and the dimensions of cross-linguistic and bio-linguistic variation.

  • Sales Rank: #2709968 in eBooks
  • Published on: 2013-11-14
  • Released on: 2013-11-14
  • Format: Kindle eBook

Review
"A radical vision that challenges standard conceptions that human language is a mere conduit for thought, that there is a Language of Thought, and that Grammar and Semantics are separable. Hinzen and Sheehan ground their Un-Cartesian approach in ancient linguistic traditions in India and in
the work of the Modistae, for whom grammar was central to an understanding of minds, and reality. Upturning major assumptions of modern Linguistics and Philosophy of Language, this enthralling book is a central one for Cognitive Science."

--Jill De Villiers, Professor of Psychology and Philosophy, Smith College

"An essential reference for anyone trying to grapple with the mysterious underpinnings of that most essential of human qualities, language."

--Ian Tattersall, Curator Emeritus, American Museum of Natural History

"This book asks some of the most fundamental questions that there can be about language and mind, and answers them in ways which are provocative, challenging, and surprising, in the context of current theorizing within philosophy and linguistics. The theory is supported by a wealth of
conceptual and empirical arguments with detailed discussion of consequences for central grammatical notions such as case, person, word order, phases, and semantic notions such as reference, predication, and truth. This must be one of the most important books about language and thought in a very long
time."

--Anders Holmberg, Professor of Theoretical Linguistics, Newcastle University

About the Author

Wolfram Hinzen is a Research Professor at the Catalan Institute for Advanced Studies and Research (ICREA) and is affiliated with the Linguistics department of the University of Barcelona and the Philosophy Department of the University of Durham (2006-2014). He writes on issues in the interface of language and mind. He is the author of Mind Design and Minimal Syntax (OUP, 2006) and An Essay on Names and Truth (OUP, 2007) and co-editor of The Oxford Handbook of Compositionality (OUP, 2012).

Michelle Sheehan is a Research Associate at the University of Cambridge specialising in comparative syntax with a particular interest in the Romance languages. She has worked on null arguments, Control, word order variation, extraposition, clausal-nominal parallels, and case/alignment. She is co-author of Parametric Variation: Null Subjects in Minimalist Theory (CUP, 2009) and co-editor of Theoretical Approaches to Disharmonic Word Orders (OUP, 2014).

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Rabu, 26 Mei 2010

[N804.Ebook] Ebook Download Sea of Swords (Forgotten Realms: The Legend of Drizzt)

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Sea of Swords (Forgotten Realms: The Legend of Drizzt)

  • Published on: 1600
  • Binding: Mass Market Paperback

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Jumat, 14 Mei 2010

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I Robot, by Isaac Asimov

  • Sales Rank: #6960286 in Books
  • Published on: 1970-01-01
  • Number of items: 1
  • Binding: Paperback
Features
  • Adult fiction, sci-fi, adventure, some mystery. A great classic from Isaac Asimov.

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93 of 100 people found the following review helpful.
The classic first short stories in the robot series.
By R. D. Allison (dallison@biochem.med.ufl.edu)
This is a collection of nine classic short stories about robots, each of which appeared previously in a pulp SF magazine. The stories contain Asimov's famous three "laws" of robotics as well as the positronic brain (consisting of a platinum/iridium sponge), now quite familiar with "Star Trek" fans. All of these have been great influences in both science and science fiction: 1) A robot may not injure a human being or, through inaction, allow a human being to come to harm; 2) A robot must obey the orders given it by human beings, except where such orders would conflict with the First Law; and 3) A robot must protect its own existence, as long as such protection does not conflict with the First and Second Laws. It should also be noted that Asimov coined the word "robotics" in these stories, a term very common today. I really enjoyed these when I first read them as a teenager (my father had introduced me to Asimov's works). And, now rereading them many years later, I can understand why I enjoyed them. They are straight-forward science fiction in which a problem is presented and a solution posed. The first story, "Robbie," first appeared in 1940 (when Asimov 20 years old) in a slightly different form as "Strange Playfellow." Robbie is a companion robot for a child and the child's mother is apprehensive in allowing her daughter to play with it. "Runaround" (1942) is a story concerning a problem encountered by two trouble-shooters on a mining operation on the surface of Mercury. A robot has been given orders to retrieve some ore yet keeps walking in circles, to the detriment of the two human workers. They come to the conclusion that the problem lies with the three Laws and they have to find a solution. (This type of story [that is, of a problem presented needing a solution] becomes a common format for Asimov's science fiction and mystery stories.) In "Reason" (1941) the two trouble-shooters of the previous story are still on Mercury and have to reason with a robot who has been designed to take over the mining operation and energy conversion plant on Mercury. The robot has come to a conclusion that humans did not construct him and that his role is to serve the "Master" (the conversion apparatus). In "Catch That Rabbit" (1944), the two trouble shooters are on an asteroid attempting to train a robot that has control over six subsidiary robots. For some unknown reason, the robot ceases to function properly if no human is watching. "Liar!" (1941) is a story about a robot, still subject to the Three Laws, that can read minds. In "Little Lost Robot" (1947) a robot, which has had its first law modified, has hidden itself among sixty-two other robots and it has to be found. In "Escape!" (1945), a robot has to design an interstellar ship that may be hazardous to humans; yet, design it without violating the first law. "Evidence" (1946) is a story concerned with the problem of identifying a possible humaniform robot hiding itself among humans. The final short story, "The Evitable Conflict" (1950), takes place several years after the others on an Earth where much of human economics is directed through massive robot machines. There have been apparent stoppages and unexpected delays and the human overseers have to find out why. This story actually introduces the "Zeroeth Law" of Robotics: "No machine may harm humanity; or, through inaction, allow humanity to come to harm."

0 of 0 people found the following review helpful.
Sci-fi classic - but you knew that
By Wormer
Classic Asimov, I'm not sure what you say that hasn't been said in the what - 60+ years it's been published. If you like Sci-fi, if you like Asimov, if you want to help fill in some of the background to reading the Foundation series or some of the other subjects that intertwine in later novels, this is one of them you go to.

I guess there is a point to make for reading it (or even re-reading it) in 2016 - we're talking about robots today, in our real-lives, in our near future. We're talking about sentience and capabilities and concerns on their independence and impact they'll have on our lives - it's amazing how much Asimov truly anticipated how it'd develop and put out a lot of the concerns and questions to consider. It is a timely read of the topic.

2 of 2 people found the following review helpful.
A fictional pre-history of Robotics
By Adam L. Kopcinski
Isaac Asimov's I Robot is a collection of nine short stories chronicling the history of robotics, as told by Susan Calvin - a robopsychologist - to an enquiring, faceless news man. The premise is merely preamble; its purpose the correlation of nine individual stories, previously published in a couple of sci-fi magazines. They feature the same recurring cast of characters, and as such reference and build upon one another.
Each individual story is entertaining, and sequentially, each introduces another aspect of robotics, or elucidates some greater point of robotic logic/reasoning. Much like the Foundation novels (and Asimov's fiction in general, I'm beginning to suspect) the stories deal with situations; problems and solutions. The great fun of reading Asimov is watching his fictional characters encounter crisis and work through them - extrapolating, deducting, improvising - whatever need be. And the solutions - besides being entertaining - are usually quite clever! It's sometimes hard to believe that one man could write so many clever stories...
Plotting aside, you can't help but fall in love with some of Asimov's characters. The "field" team of Mike Donavan and Gregory Powell are an endearing comedic duo. Susan Calvin is almost as cold and calculating as her robots, but is forced to reveal her tender, human emotions in LIAR! And the politician Stephen Byerley makes quite an impression...
Naturally, being a collection of short stories rather than a novel proper, some stories are stronger than others. RUNAROUND, REASON, LIAR, and EVIDENCE are particularly strong, well THE EVITABLE CONFLICT is a little weak, and serves more as a talking point or epilogue - much in the same way that ROBBIE serves as a whimsical introduction. Regardless, all nine stories do entertain you, and at the very least, introduce some interesting point on robotics. Highly recommended - Asimov remains an essential read to anyone with a passing interest in Science-Fiction.
Consequently, this book has almost nothing to do with the Will Smith movie of same title - save for the three laws of robotics, and character's names - so, be warned, you've been advised!

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Selasa, 11 Mei 2010

[W121.Ebook] Ebook Free The Sociology of Scientific Work: The Fundamental Relationship Between Science and Society (PRIME Series on Research and Innovation Policy

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The Sociology of Scientific Work: The Fundamental Relationship Between Science and Society (PRIME Series on Research and Innovation Policy

More than ever before, science and technology play a significant role in modern society as evidenced by the development of nanotechnologies and the controversies surrounding GMOs and climate change. This book comprehensively explores the flourishing field of science and technology studies and examines its creation, development and interaction with contemporary society. Dominique Vinck examines the various relationships between science and society including the emergence of sciences, the dynamics of innovation and technical democracy. He also investigates the principal social mechanisms of science and technology such as institutions, organizations, exchanges between researchers and the construction of scientific knowledge, expertise and innovation. The book provides a thorough overview of the field and reviews the major theoretical and methodological approaches as well as the current state of research on a range of topics. This original book will strongly appeal to students and researchers in the social sciences including economics, the management of innovation, political science and the sociology of science. All those interested in the debate on the role of science and technology in society will also find this book to be of great interest.

  • Sales Rank: #748933 in Books
  • Published on: 2010-08-01
  • Original language: English
  • Dimensions: 10.00" h x 7.00" w x .75" l, 1.41 pounds
  • Binding: Hardcover
  • 288 pages

Review
'This work is a magesterial introduction to the sociology of science. With science being imbricated in the very tissue of our political lives - with climate change, energy policy, biodiversity conservation and so forth - it is increasingly important that the rich lessons of the field of science studies be brought to a wider readership. This book achieves that goal with great style: it is both highly accessible and rigorously researched.' --Geoffrey C. Bowker, Santa Clara University, US

About the Author
Dominique Vinck, Professor of Sociology, University of Grenoble, France

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[Q892.Ebook] Ebook Mike Mignola Hellboy Artist EditionFrom IDW Publishing

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Mike Mignola Hellboy Artist EditionFrom IDW Publishing

  • Sales Rank: #2137052 in Books
  • Published on: 2014
  • Original language: English
  • Binding: Paperback
  • 200 pages

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0 of 0 people found the following review helpful.
Hellboy stories - shot from the original artwork!
By J. Willson
One of the greatest comic book artists of all time. The reader gets to see Mignola's comics art pages in their original form, scanned directly from the original artwork. You can detect his use of markers on pages and see underlying pencil artwork. It's an amazing book to view. Well worth the rather expensive price because it also is printed to the size of the originals, 11" x 17" Terrific book.

1 of 1 people found the following review helpful.
Mike Mignola is awesome!!!
By Gonzalo
One of the greatest comics series being done right now is Hellboy and by extension BPRD, Witchfinder and all the other titles from the mmind of Mike Mignola. The beautiful hard cover oversized book is an homage to the man. It presents not only the first five issued of Hellboy in Hell but also earlier Hellboy stories (including the legendary "The Corpse" which is partially recreated in the Hell boy movie). All are reproduced by scanning the original black and white ink work showing the rough look and process of creating the artwork. I'm a comics artist so I really appreciate finding out the secrets. The art is reproduced at almost full size so the book is 11" X17". It is a large book. But beautiful!

0 of 0 people found the following review helpful.
Mike Mignola's art in all its inky glory!
By Tommy T
If you love Mike Mignola's art, this book is a must. The IDW Artist's Editions have been consistently impressive, this is no exception.

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Selasa, 04 Mei 2010

[X373.Ebook] Get Free Ebook Fundamentals of Electrical Engineering, by Charles A. Gross, Thaddeus A. Roppel

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Fundamentals of Electrical Engineering, by Charles A. Gross, Thaddeus A. Roppel

Real-world engineering problems are rarely, if ever, neatly divided into mechanical, electrical, chemical, civil, and other categories. Engineers from all disciplines eventually encounter computer and electronic controls and instrumentation, which require at least a basic knowledge of electrical and other engineering specialties, as well as associated economics, and environmental, political, and social issues.

Co-authored by Charles Gross―one of the most well-known and respected professors in the field of electric machines and power engineering―and his world-renowned colleague Thad Roppel, Fundamentals of Electrical Engineering provides an overview of the profession for engineering professionals and students whose specialization lies in areas other than electrical. For instance, civil engineers must contend with commercial electrical service and lighting design issues. Mechanical engineers have to deal with motors in HVAC applications, and chemical engineers are forced to handle problems involving process control.

Simple and easy-to-use, yet more than sufficient in rigor and coverage of fundamental concepts, this resource teaches EE fundamentals but omits the typical analytical methods that hold little relevance for the audience. The authors provide many examples to illustrate concepts, as well as homework problems to help readers understand and apply presented material.

In many cases, courses for non-electrical engineers, or non-EEs, have presented watered-down classical EE material, resulting in unpopular courses that students hate and senior faculty members understandingly avoid teaching. To remedy this situation―and create more well-rounded practitioners―the authors focus on the true EE needs of non-EEs, as determined through their own teaching experience, as well as significant input from non-EE faculty. The book provides several important contemporary interdisciplinary examples to support this approach. The result is a full-color modern narrative that bridges the various EE and non-EE curricula and serves as a truly relevant course that students and faculty can both enjoy.

  • Sales Rank: #2153401 in Books
  • Brand: Brand: CRC Press
  • Published on: 2012-02-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x .90" w x 6.30" l, 2.10 pounds
  • Binding: Hardcover
  • 481 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Horrible explanation of theory
By gryken
Few to no examples. Horrible explanation of theory. Even for a first attempt this is horrible.

0 of 0 people found the following review helpful.
Three Stars
By sean bise
Not a great text. Heavily lacking in some concepts.

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Sabtu, 01 Mei 2010

[U134.Ebook] Fee Download Confessions of Felix Krull: Confidence Man, by Thomas Mann

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Confessions of Felix Krull: Confidence Man, by Thomas Mann

Nobel Prize for literature.

  • Sales Rank: #795368 in Books
  • Published on: 1969-05-12
  • Released on: 1969-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.20" h x 4.30" w x .70" l,
  • Binding: Paperback

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62 of 65 people found the following review helpful.
A small masterpiece about the reality of illusion.
By smarmer
Those who know Thomas Mann for his weightier books will be surprised to see how light this short novel is.
Felix Krull is a "Con Man." This book recounts his early years, from early childhood, through his ingenious method of avoiding being drafted into the army, to his initial jobs. He avoids the army by appearing too eager to join, thus inducing suspicion regarding his mental stability. He works his way up by recognizing that having a good appearance and a willing attitude more than compensates for lack of experience or ability. Being a confidence man requires supreme self-confidence and Felix has that in abundance.
For me the pivotal scene is when Felix is taken to the theater by his father to see a play in which one of the father's old school chums is starring. Felix is captivated by the magnetic attraction between audience and star. This is made even greater by the back stage visit he and his father make after the show. The star turns out to be much shorter than he appeared to be, with reddish hair instead of black, and rough skin instead of the smooth skin he appeared to have. His manner is coarse, not like the refined character he portrayed. Topping it off, he is in need of continuous reassurance that he did a good job, whereas the character he played was supremely confident and poised. This is the key to Felix's realization that for most of the world illusion is reality, and that the illusionist needs the audience just as the audience needs the illusionist.
Whether Mann had a sequel planned is uncertain. We do leave Felix as a young man, wondering what his further adventures and potential growth might have been.
As it is, this is a delightful story with a profound subtext. Are there any people like Felix around today?

30 of 31 people found the following review helpful.
Mann in a humorous vein
By L. Stearns Newburg
This picaresque novel of adventure by the writer of such ponderous masterpieces as _The Magic Mountain_ is one of my favorite books.

Many readers who come to it after _Buddenbrooks_ or "Tonio Kroeger" note the parallels Mann felt existed between the artist and the confidence man. In Tonio Kroeger, the eponymous central character has an encounter in his home town where he's mistaken briefly for a con man. In the earlier story, it's an incident full of irony. In _Felix Krull_, Mann turns that theme on its head and plays it as a burlesque and shows us the artist seen through the fun-house mirror of the artist-equals-con man metaphor.

A number of the themes of Mann's earlier novels are taken up here in humorous and ironic form, e.g., the rise of the artist through the decay of a respectable family (a theme in _Buddenbrooks_) is transmogrified into Krull's lineage from a good-but-dissolute family; in consequence, their respectability is more apparent than real, and as much an illusion as Felix Krull's career of deceit.

It may be that Mann intends that Felix Krull symbolically represents decay beneath his disguise (like the actor Mueller-Rose in the story), but the reader doesn't *feel* this is true. Krull might be the healthiest character in Mann's work, full of that zest for life that so wearied the bourgeois manque' Tonio Kroeger in Italy. Felix Krull isn't a "manque'" anything; a consummate actor on the stage of life, he is simply whatever or whomever he wants to be.

The elegance and suavity of the writing, captured well by the Lindley translation, are both a pleasure to read, and an analogue for the well-oiled confidence skills of the first person narrator. It's helpful to remember that we are being told "true confessions" by a man who has made his way in life by taking people in.

Another feature of the work, not often commented on, is the element of parody. Mann wrote the book with one eye, as it were, on the great German picaresque novel by Hans von Grimmelshausen, _Simplicius Simplicissimus_. Krull's travails, talents, and successes are at times a humorous transposition of those in Grimmelshausen's famous work. (Grimmelshausen's book is worth seeking out in its own right.)

And then, there's the Goethe reference: the artful, confessional style was intended (or so Mann claimed in an interview) as a parody of Goethe's style in _Dichtung und Wahrheit_. Mann had a great deal to say about Goethe during his career, much of it freighted with a lot of seriousness (e.g., see his essay on "Goethe and Tolstoy"), but proves here he could regard his great predecessor with more than a little irony.

Because the book was started back in 1910, and reflects on a period 20 or more years earlier, it's a historical time capsule of sorts. This might annoy some readers; for others, it grants the work a certain period charm.

Finally, we should remember that the work is incomplete. This was intended to be the first part of a full-dress fictional memoir. Had he lived longer, Mann might have written 2 more volumes. The result is that the book is a bright fragment rather than a fully realized work of art. We're left to imagine what the remainder of Felix Krull's adventures might have been like. In an interview in 1955, Mann remarked that Krull would have a matrimonial adventure, as well as a prison sojourn and a retirement in England.

A pity we can never see the completed work, and cannot know with certainty how Krull's career would develop. I, for one, am happy with what Mann was able to bequeath us. I feel almost as if he left me a legacy.

16 of 16 people found the following review helpful.
A Clever and Subtle Masterpiece
By mholesh
The Confessions of Felix Krull, published in the year of Thomas Mann's death, 1955,is a remarkable work of humor and satire. It is hard to believe that it was written by a man in his late 70's. The book had its origins in a fragment published by Mann long before, in 1909, even before Death in Venice, probably his most well known work, at least these days. Perhaps this accounts for the youthful humor mixed with a wisdom and tolerance that a man of the world like Mann attained after a long, eventful and thoughtful life.
Felix Krull is a charmer from the earliest age, a knowing manipulator of his surroundings and even his own body, able to induce fevers by self-will to avoid the boredom of school and bemuse his family doctor into acquiescence. Blessed by astonishing beauty that affects all that come into contact with him and fuels an arrogance and self-confidence that probably would not be tolerated in someone of lesser grace, he is able to insinuate himself up the social ladder into the most rarefied social circles of aristocratic Europe. Through his own wit and the vanities and susceptibilities of his victims, he brazens his way through the most delicate situations.
While it is not necessary to have a familiarity with Mann's life and other works to enjoy this book, such knowledge will add greatly to the fun. There are many autobiographical references and self-caricatures dispersed amongst the characters who knowingly or unknowingly are seduced by the irrepressible Felix and some of the observations and feelings that Felix describes are most definitely those that Mann himself strongly felt.
Recurring motifs throughout Mann's works find expression here. Most striking is the identification of Felix with the Greek god Hermes, here in his aspect of god of thieves. Look back to Death in Venice and see how Mann uses the god Hermes in reference to Tadzio, especially at the end when Aschenbach lies dying and Tadzio as Hermes, the messenger of death, beckons in the waves. For who is Felix but a more grown, more self-aware Tadzio? But instead of death, Felix brings smiles. After all, as he is quick to point out "Felix" means "happy."

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