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Theaters around the world are dominated by comic book heroes, ice princesses, apocalyptic love-struck teens, and whatever masterpiece Pixar is rolling out. It’s clear that cinema is as healthy as ever. Oscar-worthy directors, indie geniuses and foreign artists are creating stunning, boundary-pushing work. Since the turn of the century, movie lovers have been enjoying a second golden age. But which films are the best of the best? What are the top movies since 2000 to see before you die? Chris Stuckmann, one of YouTube’s most popular film reviewers (70+ million views) gives us his best of the best! In his book debut, Stuckmann delivers his list of the very best 50 Movies since 2000 – with that style and punch that YouTube viewers have come to love. These are the films you must see before you die.
- Sales Rank: #83236 in Books
- Published on: 2016-03-05
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .40" w x 6.00" l, .0 pounds
- Binding: Paperback
- 139 pages
Review
Chris Stuckmann is the real deal. His brain is equal parts "book smarts” and "useless movie factoids smart" – By combining both skills so beautifully he’s able to offer some of the most intelligent, concise and entertaining movie analysis online. I’m a huge fan!
-Andy Signore, Founder & Creator of ScreenJunkies & Honest Trailers
"A celebration of movie love, by a lover of movies, for the lovers of movies. Equal parts fun & insightful." - Jeremy Jahns, YouTube Movie Reviews
About the Author
Chris Stuckmann was tremendously inspired by Roger Ebert. It was through him that he learned that an opinion on a film was a universal concept. There was no right or wrong, there was simply, your thoughts. Through his television reviews with Gene Siskel, Stuckmann discovered the idea of a debate on a film, but a respectful one. It wasn’t until his twenties that Stuckmann discovered reviewing movies on YouTube. From the very beginning he fell in love with it. YouTube critics and reviews have gone from a small group of “video bloggers” to a respected way of discussing film. Some YouTube reviewers are even recognized as press, and Rotten Tomatoes has opened the door for a handful of them to be certified. As a result of all this, Chris Stuckmann has created a brand of recognizable and respected videos. 600k subscribers • 128 million views Chris Stuckmann: Film critic, filmmaker, writer: http://www.youtube.com/user/ChrisStuckmann Official Website: http://www.chrisstuckmann.com
Winner of the 2014 ICG Publicists Guild Press Award (honoring outstanding entertainment journalism), Scott “Movie” Mantz is the Film Critic and Film Segment Producer for “Access Hollywood.” In October 2000, Mantz joined the daily entertainment newsmagazine TV show, which is currently in its 17th season. In addition to his production and celebrity booking duties for “Access Hollywood” and its companion morning show “Access Hollywood Live,” Mantz reviews movies on-camera for both shows. Mantz is also a regular contributor to NBC-TV’s “The TODAY Show” and is a resident film critic on “Just Seen It,” the acclaimed movie review series that airs every week on PBS. When he’s not on-camera, Mantz can be found moderating Q&A’s with filmmakers and celebrities at special movie screenings, particularly during the busy Awards Season between September and February.
Excerpt. © Reprinted by permission. All rights reserved.
Introduction The screen. Why do we go to the movies? Why do we sit in dark rooms, digging our fingers into popcorn buckets, hoping for transport to another world? I recall watching a particularly good film earlier this year in a packed theater. I glanced about briefly and saw a couple hundred heads, all transfixed by the screen. For most, it's like peering into a parallel universe, a place where their problems don't exist. But for a very select few, it's not just about escapism, it's about searching. These people seek something more meaningful, they want to be inspired, changed, altered. They're looking for that moment when a film touches them so deeply, it was like it was playing specifically for them. I remember that moment in my life. It was a warm Ohio day (August 2nd, 2002 to be exact). My mother and I went to a small town theater that's since been demolished. Plaza 8 at Chapel Hill. I'll never forget that place. The film my mother took me to was Signs, directed by M. Night Shyamalan. Since it was late summer, there was a sense that fun was winding down. School would be starting soon and I wanted to squeeze every last drop out of my summer vacation. Evidently, many others shared the same notion, because the theater was packed to near full capacity. The lights went down, and I was instantly taken by the thrilling musical composition of James Newton Howard, instructed by Shyamalan to create a piece similar in ferocity to Bernard Hermann's opening theme for Psycho. The music warned me that something terrifying was coming, and the film kept its promise. In my fourteen years, I hadn't seen a film that suspenseful, and I vividly remember peeking out over the tops of my curled knees during the "disturbing footage" scene. As a child, movies were a humongous part of my life. I wore out my Star Wars VHS tapes so badly that no amount of "tracking" could fix the little bouncy white lines at the bottom of the TV. But it wasn't until that warm day in the summer of '02 that I had an epiphany. Movies were made by artists. Directors. Writers. Actors. Editors. Cinematographers. Movies were shot and cut together by someone. A composer began writing music to seamlessly blend with it. Someone arranged lights and objects within a shot to create visual synergy. I have a perfect memory of returning home that day and bounding toward our apartment while saying to my mother, "I want to do that! I want to make a movie like that." After seeing Signs in theaters five times, I became fascinated with filmmaking. I didn't just watch movies anymore, I studied them. The shot structure, the moment where a character reaches their arc, how a clever editor can heighten the tension with just the right cut. Everything! I lived and breathed movies. My parents must have seen a kid who'd discovered his passion, because one day, a package arrived at home containing a small camcorder, which, as far as I was concerned, was the closest I'd ever get to being handed a dream, complete with bubble wrap. The entirety of my teenage years were spent making countless short films with friends. If they weren't around, I'd even make one by myself. It didn't matter what the story was. If an idea popped into our heads, we just started filming it, sometimes without even knowing how it would end. It was blind inspiration, and a very wonderful time in my life. Of course, as we grew older, our films became more mature. One of my favorites was a tongue-in-cheek tribute to John Carpenter's Halloween called The Marguerite Avenue Killings. Is it strange that with a title like that, no one dies in the short? At the same time, my love for film as an art form began to evolve, with the creation of my first website called "A Critic's Opinion." Without internet at home, the library clerk saw me quite often during those few years. Mercifully, the free hosting provider shut down its services, and my novice site vanished from the net. No matter what, my interest in filmmaking and movies never wavered. We tried our hand at two feature-length films, and to our credit, we actually completed a 70-minute film about a magical baseball diamond called Phenomenon Field, and an 84-minute horror film called The Woods. The latter took us two years to finish, and the lessons learned while filming was worth every minute spent. It wasn't until my early twenties that I had the idea of combining my passions. My love of film was glaringly apparent, and the hundreds of short films we'd created made my devotion to directing obvious. But I also loved analyzing film, studying the art form and trying to get in the head of the filmmaker. And, with the advent of YouTube, I suddenly had a place to express myself. My first video review was of Hayao Miyazaki's Ponyo. Within a month, I had a small handful of subscribers, the majority being my very patient friends. Seven years later, I have ________ subscribers, and growing. I've met countless film enthusiasts who share my passion, and I've been deeply inspired by their personal stories of self-discovery. Without them, I have no idea where I'd be today. To my sheer delight, I've had the opportunity to meet M. Night Shyamalan, shake his hand, and thank him for inspiring me. After telling him the story I've just told you, he gave an awestruck smile and said, "You're gonna make me cry, man." What continues to inspire me today? It's the screen. That glowing, shiny rectangle. I stare at it in awe, silently willing it to show me something incredible. * * * * Now, I've been given the immense privilege to discuss a handful of films that meant something to me, the majority of which I've had the opportunity to see in theaters. The following fifty films released from the year 2000 to 2015 are movies that absolutely must be seen, because they were evocative of their era, they spoke to our culture, or perhaps they're overlooked gems. These films are presented in order of release date. This is not a countdown. Not only do I find lists superfluous, but this also eliminates the temptation to skip ahead to the #1 pick. The goal here is to discuss and analyze filmmaking, not to choose an order of best to worst. Now that we've got that out of the way, please sit back, relax, and take a journey with me fifteen years in the past, as we examine some of the best cinema has offered. - Chris Stuckmann
Most helpful customer reviews
35 of 36 people found the following review helpful.
Get Stuckmannized, Now in Print
By The Black Metal Wolf
As far as it goes, I'm relatively new to Chris Stuckmann's work. I first was introduced to him several months ago through his "The Problem With Horror Movies Today" video, and ever since, I've been Stuckmannized. His ability to analyze film both objectively and subjectively while making it entertaining to listen is remarkable, and even when I disagree with Chris's opinion on a movie, I can't help but respect him anyway. What really sets Chris apart from other critics, however, is he is incredibly likable, and over his career he has remained as human and down to Earth as when he started.
As for the book itself, it's exactly what it should be, and more. Chris's picks are arranged in a chronological order beginning in 2000, and each movie has two pages dedicated to it. On one page, you have a minimalist-esque illustration of something that represents the film in question (highly reminiscent of the "Famous Objects From Movies" flash game), and on the other some quick facts about the film followed by Chris's general overview of the film, his thoughts on it, and how it may have impacted him personally. Luckily, he is able to carry over the same quality of his video reviews to a written format, even with the restriction to just a single page.
Reading through the book, I found myself agreeing highly with many of his picks, although I must admit Signs (2002) took me a bit by surprise. For a film that has held a fairly mixed reception even to this day, and has been the target of high criticism by video-makers such as The Nostalgia Critic (who Chris knows and has worked with), it seems to stick out among films such as The Dark Knight and Spirited Away. It even is given the honor by Chris as the film that launched his passion for film. However, it's exactly because of this that I respect him so much. He's not afraid to say his honest opinion, and because of that, many may disagree with some of the titles that appear in this book and express that here in the form of a review. I say, screw 'em.
Highly recommended to anyone who cares for the art of film and wants to support a great film critic.
6 of 6 people found the following review helpful.
A great start to a young film lover's career….
By Matthew Brando
When I picked up this book, I had the knowledge of a typical Chris Stuckmann movie review. An interesting juxtaposition of quick, to the point, yet sharp, thorough and informative. This book provides us readers fifty movie recommendations from 2000-2015 in this style, and it's more than effective, it's immersive.
After you read the forward and recommendation quotes plastered on the cover and on the inside, you get to Chris telling his life story on how he got involved with films. Everyone has that one moment in their lives where something or someone inspired him or her to do something with their lives. Seeing SIGNS in the theater was Chris', at a young age, setting the foundation for the remainder of his life as he strives to work in the film industry. This is relatable to all of us trying to achieve our dreams, in whatever field we chose to indulge in. And that is exactly why this book is so good; it's relatable to us. It's not some pompous, 'I am right and you are wrong,' this is a list of fifty films to see, not in an order of last place fifty to NUMBER ONE BEST, but casually listing them chronologically in order to relax the reader.
Every-time I would read one of his witty sentences where he explains his thoughts on a film (usually films he says are overlooked) I would say to myself, “You know what, he's right.”
Heck, his paragraphs are so persuasive, I want to watch a couple films from a genre I usually dislike (Anime) or re-watch films to catch tidbits and trivia Chris throws at us, like Leo's wedding ring in “Inception”. Info like this gives the book some nice heart, and gives the book higher re-read value.
With all of this obtained knowledge and love for the industry, it seems Chris has this 'movies' thing down, and I can't wait to see what he does next.
A great start to a young film lover's career….
1 of 1 people found the following review helpful.
Excellent list from a sincere lover of film!
By Scot Hatfield
The first time I got "Stuckmannized" was after watching (and re-watching!) his analysis for the film Enemy. I've been a fan ever since, and therefore couldn't wait to read through his list of must-see movies of the 2000s.
I read the entire book in one sitting. The format and layout are quick and page-turning, yet full of insight and passion. I caught myself mentally fist-pumping when I'd turn the page to find another film that I personally love on Chris' list. I also loved the Quick Facts section for each film--although the nerdy part of me wanted to see composers and cinematographers listed as well. The minimalist poster art that accompanied each review brought as much happiness to me as did Chris' words.
I'm proud to say I've seen 47 of these 50 films. 'Trick R Treat' will definitely get attention this Halloween, 'When Marnie Was There' has been on my "must-watch" list for some time, and since I respect Chris' opinion so much, I'll even give 'Coraline' a shot. As for the other 47 films in this book, I'm happy to say I've seen them all--some multiple times--and I loved hearing an expert's thoughts on films I care so much about.
I can only hope this is the first of many books from Chris. Watching his YouTube reviews are great, and having further analysis in print like this just enhances appreciation for these films.
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